a Bergs Potter Journal post

Carla Sofie Molge

Nestled among trees, the classic Danish summer house is defined by dark wood, white-framed windows, and a close connection to nature — a place shaped for slow days, long meals outdoors and life lived a little closer to the seasons. In this journal, Carla Sofie Molge shares her approach to calm, personal interiors, and how light, materials, and plants come together to create a natural and effortless atmosphere.

Woman in a white dress setting an outdoor dining table in the garden of a Danish summer house, surrounded by trees and potted plants.

Setting the table for outdoor dining in the garden.

Could you introduce yourself, who you live with, and what you do?

I work as a home stylist and content creator, with a focus on interiors, atmosphere, and visual storytelling. I live with my family, and my work and home are closely connected – they often exist within the same spaces and moods.

What inspires you most in your work as a stylist?

I’m very inspired by atmosphere, light, and materials – especially how light shifts throughout the day and defines a space. I’m also drawn to what feels honest and lived-in, where things aren’t overly styled but carry a natural sense of ease.

How would you describe your interior style?

My style is calm and tactile, with a focus on natural materials and muted tones. I like to build spaces in layers and combine different elements to create something personal and not too polished. It should feel relaxed and alive.

Light-filled bedroom in a Danish summer house with white wood-panelled walls, natural linen bedding and dark wooden furniture.

A calm bedroom shaped by soft light and natural textures.

Outdoor dining area beside a dark wooden Danish summer house, styled with white-framed windows, terracotta pots and green plants.

An outdoor setting with potted plants.

Many Danish summer houses are built in wood with dark façades, white sash windows, and surrounded by nature. What does this particular type of summer house mean to you?

There is something very special about that type of summer house. The combination of wood, dark façades, white-framed windows, and surrounding nature creates a sense of calm and authenticity that is hard to replicate elsewhere. It feels like a place to slow down and reconnect – both with nature and with each other.

What is the most essential element in a summer house for it to feel just right?

For me, it’s about the feeling of it being a home – not just a place you stay. It should have warmth and a sense of life. Materials, light, and atmosphere all matter, but most importantly, it needs to feel lived-in and personal.

What kind of atmosphere do you aim to create in your summer house?

I try to create a calm and grounded atmosphere where there’s space to slow down. It should feel soft, lived-in, and effortless – a place where you can simply be present.

Sunlit table setting in a Danish summer house with white flowers, glassware, a linen tablecloth and soft natural light.

A simple table setting.

An outdoor table framed by lush greenery.

How did you approach the interior design of your summer house?

The process has been very intuitive. I haven’t worked from a fixed plan but have built everything up gradually, layer by layer. Many pieces have been found along the way – for example at flea markets – which has made the process feel more free and personal.

Have you consciously worked with plants or pots as part of the overall expression?

I’ve worked quite consciously with pots as a way of creating variation and personality. I like combining different shapes and expressions while keeping the colour palette consistent. I’ve especially enjoyed working with Bergs Potter pieces, as they have a timeless, tactile quality that fits naturally into the space. They help create a sense of calm while still feeling dynamic and individual.

What role do plants play in your home and summer house?

Plants bring life, movement, and a certain softness that’s hard to achieve in other ways. Even just a few green elements can completely change the feeling of a space. In the summer house, they also help highlight the seasons – whether it’s spring branches or a more minimal winter expression. I often use pots and vases to emphasise these shifts, and I like how the grey terracotta tones from Bergs Potter create a continuity throughout the year.

Terracotta pots and flowering plants gathered on a wooden table.

Open white double doors leading from the terrace into a light-filled Danish summer house living room with natural materials and soft neutral tones.

Open double doors connect the summer house living room with the terrace outside.

Is there a particular place in the summer house you are especially fond of?

I’m especially drawn to the area around the living room and the transition to the terrace. With the double doors, you get the feeling of being both inside and outside at once. The light plays a big role here and changes throughout the day, but also across the seasons – which really affects how the space is used and experienced. In winter, it feels cosy and inward-looking, while in spring and summer it naturally opens up towards the terrace and the surroundings. It creates a unique atmosphere that shifts with the rhythm of the year.